The Overlook Theatre and Unnamed Footage Festival present The Overlook Hour Podcast! Join your hosts Clark Little (UFF Co-Founder, Ex-Standup, Brit Box Subscriber), Russell Fisher (UFF Co-Founder, The Overlook Theatre, D&D advocate), Randy Staat (Musician, Engineer, French New-Wave purist) and Oksana Osachiy (UFF Co-Founder, The Overlook Theatre, and Cat Enthusiast) for a weekly discussion and analysis of indie horror films with the occasional documentary, TV show, YouTube Video, dream, nightmare, bowel movement, etc... The Overlook Hour Podcast tricks very special guests from in and outside the industry to chat about a range of topics, so listeners get candid insight into some unique personalities that make the interesting films we so crave. The Overlook Hour Podcast is here to straddle the border of professionalism while creating discussion around interesting and important film that otherwise has none!
Episodes
Thursday Nov 10, 2022
#389 - TBR Report #3
Thursday Nov 10, 2022
Thursday Nov 10, 2022
The found footage adventurer, Thomas Burke is back to talk found footage horror in the third TBR Report special, where he and Russell discuss some of the recent developments in the in-world-camera genre. Clark on the other hand spends the episode in traffic.
Films: Mister Creep (2022), Tontine Massacre (2010), Welcome to the Occult Forest: The Movie (2022), Welcome to the Occult Forest (TV), A Record of Sweet Murderer (2014), V/H/S/99 (2022), V/H/S/94 (2021), We're All Going to the World's Fair (2021), V/H/S (2012), The ABCs of Death (2012), The Midnight Swim (2014), The Outwaters (2022), Horror in the High Desert 2: Minerva (2022), Horror in the High Desert (2021), Don't Worry Darling (2022), All Hallows' Eve (2013), Out There Halloween Mega Tape (2022), The Fear Footage (2018), The Fear Footage 2: Curse of the Tape (2020), V/H/S/85 (TBA), Chernobyl Diaries (2012), Sinister (2012), Nightlight (2015), Haunt (2019), Tinsman Road (2023), Ghosts of Hiroshima (2022), The Visit (2015), The Barbados Project (2022), Alone in the After (TBA)
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